元代小件精品瓷器（精品推荐稀有古币）

中国古代钱币之一。明神宗朱翊钧万历四年（1576年）始铸。仿造嘉靖钱制，有小平，折二两种。万历通宝光背者较多见，少数小平钱背有“工”，“天”，“公”，“正”，“江”，“河”，“厘”等字，其中“厘”表示值银一厘。万历通宝背“河”、“户”者极少见；折二钱铸量也多，制作精良，偶有背星月者，价格颇高。此外，还有银质“万历通宝”钱。

藏品介绍

中文名称：万历通宝祈福币

英文名称：Wanli Tongbao Blessing coin

类别：杂项

规格：1枚

品相：美品

背面金水十分明显，部分脱落，钱币使用痕迹明显，金水为后期所镀，此特征为罕见的祈福币，存世量稀有，具有极高的收藏价值。

祈福坑

2012年下半年开始，在北京右安门大街东侧的一处施工现场(南二环右安门桥北侧附件)渐渐出土了一些宋金钱币。主要是大定，还有极少数的泰和，其主要特征是通体金色，极美品质，拨开淤泥从金色脱落的地方看，有薄薄一层金色包浆附着在钱体上，层次分明且轻轻一拨“金片”还能成块的剥离，因此当时有人推断，这很有可能一批刷过金的钱币。由于那附近曾是金代圣安寺遗址，所以也有人推断这些钱币可能是当时富贵人家的祈福用的，猜想金色包浆是古人涂在钱币用于礼佛祈祷之用，于是便有了祈福钱的传说。

此枚“万历通宝钱币正面印刻着“万历通宝”四字，字迹清晰，苍劲有力。观其铸体，铸制规整，边圆廓正，坦平地章，穿缘廓干净，优良铸工，更显字廓深竣挺拔，精整有加。品赏其钱文，可见万历通宝之特有字体端美亮眼，与反面一样，表面有明显的金水层，部分以脱落，古韵十足，十分耐赏！

元代发行的铸有八思巴文钱币。铜质，元代以纸币为主，辅以一定量的铜币，其中以八思巴铭文居多，忽必烈时期由僧人首领八思巴创制蒙古文字，即称“八思巴文”。1269年忽必烈诏行新字于天下。八思巴文系由古藏文增损变形而成，有字母41个，属于拼音文字。

藏品介绍

中文名称：绿漆古八思巴文钱币

英文名称：Green painted antique spavin coin

类别：杂项

规格：1枚

品相：美品

钱币正反面为绿漆古包浆：表面颜色如绿漆一样的古代青铜器。多见于汉唐文物，多出土于江南。特点是颜色绿黑，有的器物周身不见锈迹。扫描电镜表面分析显示的成分与*黑漆古无原则性差别，唯物质结构形态不同。是青铜器镀锡表层在自然腐蚀条件下形成的。

正面为八思巴文，整体绿漆古包浆，古韵十足，说到钱币的历史，公认是由玉璧发展而来的，在没有铜币值钱就是用玉璧来做交易的，而古人认为天是圆的地是方的，所以制作了外圆内圆的玉璧用来礼天，这三枚钱币外圆内方，象征天地乾坤，既有历史研究价值，也可以驱邪避恶，保平安。

南宋高宗建炎元年（公元1127年）铸。“建炎通宝”有小平、折二、折三等铜、铁钱，钱纹篆书、楷书成对，铸造量较大，版别复杂，有大字、小字之分。“建炎重宝”不多见，为折三篆书，铜、铁钱均有。“建炎元宝”铸造量极少，钱文篆书、隶书成对，皆为古钱大珍。

藏品介绍

中文名称：建炎通宝

英文名称：Build phlogistic TongBao

类别：杂项

规格：1枚

品相：美品

钱币外圆内方象征天地乾坤，乾坤之间建炎通宝四字直读，反面光背，字迹圆润精美，历经漫长岁月，字迹依然清晰可见，品相完美，具有极高的收藏价值。

背面光背，有局部的朱砂锈，与正面的朱砂锈相对应，钱锈的一种。表面呈紫红、褐红色的氧化层,因色泽如朱砂(汞),俗称“朱砂锈”。有此锈迹的钱币为开门真品，历来为藏友所喜爱。

这三枚钱币包浆自然，底光柔和，所谓包浆是自然形成的氧化层，也有人为手盘包浆，两者不同，但同时都有保护钱币的功能，有如给钱币镀上一层保护膜，使钱币不再氧化，便于收藏传世，如果觉得钱币脏，可以用清水洗，再用棉布擦干，不要破坏包浆，破坏了包浆就相当于破坏了保护层，更重要的是包浆是鉴定新老钱币最简单有效的方法。细看这三枚钱币品相完美，没有磕缺，损毁，变形等是不可多的收藏级钱币，由于存世量稀有，极为罕见，具有极高的收藏价值。

古人言：以铜为镜，可正衣冠，用以端正自身言行；唐代诗人李贺也曾用诗“双鸾开镜似秋光，解鬟临镜立象床。”描绘女子对镜梳妆的动人场景，铜镜集观赏价值和实用价值为一体，在唐代，铜镜到达了其发展史上的第三个高峰，不仅样式千变万化，工艺也频频创新，颇受唐人喜爱。海兽葡萄纹便是这时期匠人巧思的成果，盛唐气韵与西域文化的融合，神秘而华丽。今天我们便来会一会这异彩纷呈的“多谜之镜”。

我国在远古的时候，人们通过河流、水塘发现静止的水可以照人，于是慢慢延伸到最早期用陶盆盛水作为镜子照面梳妆打扮。铜器发明后，用铜盆盛水，鉴形照影。《说文·金部》释“鉴”为“盆”，所以说盛水的盆（鉴），就是最早的镜子。随着冶炼技术的提高，人们发现光滑的铜面能照人，商周时期开始试制铜锡和银铅等合金技术制作铜镜。

藏品介绍

中文名称：汉代金文青铜镜

英文名称：Bronze mirror of The Han Dynasty

类别：杂项

规格：1面

品相：美品

汉代金文青铜镜：这面铜镜红斑绿绣，为开门古铜镜，铜镜表面篆体金文，以四乳钉相隔，纹饰干净，线条清晰轮廓分明，古朴又不失典雅。

红斑绿绣是来区别仿制青铜镜最直接的办法。镜面凹陷处显现红斑，突出部位，出现极为明显的铜绿，错落自然，无人工作伪痕迹。

铜锈俗称铜绿，其主要成分为碱式碳酸铜 化学式为Cu2(OH)2CO3。

它是铜与空气中的氧气、二氧化碳和水等物质反应产生的物质，颜色翠绿。

2Cu H2O O2 CO2=Cu2(OH)2CO3

家中放置青铜镜瞬间古风典雅，而且铜镜有辟邪镇宅之效，不论是收藏还是观赏都是不二首选，目前市场上仿制铜镜较多，这面铜镜红斑绿绣，又具有包浆，可放心收藏，带有金文的青铜器，价值要高出许多，因目前存世量少，其收藏价值极高。

钧窑。是宋瓷五大名窑之一。均窑有唐均，宋均，金均，元均，明均之分。钧瓷与其他瓷器一样，由陶器演变而来，是对陶器的继承和延续。根据考古发现和对现存古钧瓷的研究，古代钧瓷的器型大体可以分为两类:一类为日用生活器皿类器型，另一类为陈设类器型。有的专家认为，以碗、盘、碟、炉、鼎等民间日常用器为主的俗称民钧。与此对应的，是以花盆、洗、尊、瓶等为主的造型，俗称官钧。官钧瓷器，造型大雅，窑变美妙，被认为钧瓷中的珍品。流传于世的官钧瓷器十分稀少，主要收藏在北京故宫博物院、台北故宫博物院、美国弗利尔美术馆、哈佛大学赛克勒美术馆等处。世界范围内公私收藏的官钧瓷器仅有百余件，弥足珍贵

藏品介绍

中文名称：均窑梅瓶

英文名称：Mei flask

类别：瓷器

规格：一件

品相：美品

梅瓶也称"经瓶"，最早出现于唐代，宋辽时期较为流行，并且出现了许多新品种。近代许之衡在《饮流斋说瓷》一书中详细地描述了梅瓶的形制、特征及名称由来："梅瓶口细而颈短，肩极宽博，至胫稍狭，抵于足微丰，口径之小仅与梅之瘦骨相称，故名梅瓶。"关于梅瓶的用途，磁州窑白地黑花梅瓶器腹有“清沽美酒”与“醉乡酒海”的诗句。梅瓶既是酒器，又是一件令人爱不释手的观赏品。因此，这类器多制作精美，不但考虑到贮酒容量，还要注意造型优美。

钧窑是我国宋代五大名窑之一，它不仅造型端庄沉稳，而且釉色古朴凝重，变幻莫测，尤以玫瑰紫、海棠红、火焰青、鸡血红、鹦哥绿等多种窑变釉为其他窑口所不及。钧釉有高温一次烧成，也有二次烧成，第一次素烧，出窑后施釉彩，二次再烧。钧瓷的釉色为一绝，千变万化，红、蓝、青、白、紫交相融汇，灿若云霞，这是因为在烧制过程中，配料掺入铜的氧化物造成的艺术效果，此为中国制瓷上的一大发明，称为“窑变”。

这一件均窑梅瓶开片自然，无外卷，崩裂脱落现象，属于长时间的阴干现象，上图可以看见明显的窑变，钧瓷的艺术魅力主要表现在单纯简洁中给人以美感，这个单纯简洁是表现在造型与釉色上追求与自然一样的形态和釉色。胎、釉、形相辅相成，形成自己独特的风格，在追求艺术神韵的同时，注重实用功能，古朴典雅，端庄自然，没有丝毫造作之感，底足氧化出铁锈足，是铁元素长期氧化所致，也是时间留下的烙印。

收藏均窑瓷器乐趣无穷，因为没有一件均窑的窑变是一模一样的，也就是说每件都是孤品，这在五大名窑中是其它窑口所不具备的，其收藏价值极大，其价值通俗的讲，家财万贯，不如钧瓷一片，可见其价值之高， 可以说是一件宝瓷，待有缘人藏之。

玉堂清玩”相传为明相严嵩之子严东楼的字号，严东楼自己不铸炉，却爱收集上好铜炉，并将“玉堂清玩”堂款制于其上。“玉堂清玩”款炉传为严氏铜器。赵汝珍《古玩指南》中记，“严氏之炉皆系劫取宣炉之无款者，充为已有，非其所制”。赵汝珍所写的《古玩指南》，被奉为民国古董文化经典，“玉堂清玩”也因此被认为是“宣德炉”的知名款识。故而印有此款的炉，在当时最是名贵，被认为是“不是宣德款的宣德炉”，历代皆仿。

藏品介绍

中文名称：玉堂清玩手捧香炉

英文名称：The incense burner in hand

类别：杂项

规格：一件

品相：美品

这件铜香炉为洒金香炉，底足落款玉堂清玩四字，书写精美，落款规整，由于器型较小，为古人好香者，单手或双手都可以方便的携带，双手捧炉静闻其香，十分惬意，像这种迷你的小香炉被称为手捧炉。

为什么“宣德炉”刻了“玉堂清玩”的款识就那么珍贵呢？铜炉品质好，自是了得。“玉堂”的来头大，历史也久远，亦是缘由。

夏、商、周、春秋、战国时，中国人对玉的崇拜，极为神圣，那时的玉，主要用来做礼器，祭祀天地神怪。后来人们在屋里四壁挂上玉璧，初时是为了好看，只是装饰作用罢了，挂的多了，自然也就称之为“玉堂”了。战国时宋玉的《风赋》中有“……然后徜徉中庭，北上玉堂，跻于罗幢，经于洞房，乃得为大王之风也”。此为“玉堂”一词之首见。《韩非子·守道》：“人主甘服于玉堂之中。”可见，战国时已有“玉堂”的称呼了。

唐朝时，官方翰林院的办公场所，不但墙上挂了玉，名字也叫做“玉堂殿”。到了宋代，翰林院亦称为“玉堂”了。再到明代永乐宣德时期，从帝王到臣子文人等在作诗文时也常常使用，就连瓷器的落款，也有大量“玉堂佳器”的款识。可见，自古“玉堂”即为文房、厅阁、殿堂的称谓，并不指具体指代何人的斋室处所。

现今，我们所能看到的“玉堂清玩”宣德炉，以及各种相关说法，大都源出于此。如果有可能的话，早晚时节，待对宣德皇帝之陵墓挖掘考古时，或可以得到证实。如此看来，“玉堂清玩”款识的宣德炉，并不是严氏剽窃所为，也不是宣德炉的样炉，更别说是真正的宣德炉了。但，入明的“玉堂清玩”炉的确有上佳之器。

王世襄《自珍集》中所注“玉堂清玩”铜炉，有四具，其中有三具为柳叶体篆书，一具大鬲式炉的款识为方篆体。两种书体，自然是柳叶篆体为好。一般来说“柳叶篆体’款识的炉品质较高，可为上藏。拙作《钟鼎茗香》（二）中，有一枣皮红色的冲耳炉，款识也是柳叶篆的“玉堂清玩”，无论工艺、铜质、年份，较王世襄先生的那些无皮炉，又要高贵了许多，且为宫中旧物，名家旧藏。若置于厅堂文房，很是贵族。

这件洒金玉堂清玩香炉，品相完美，妙在色，其色内融，从黯淡中发奇光。史料记载有四十多种色泽，为世人钟爱，香炉之妙，在宝色内涵珠光，外现澹澹穆穆。”手感光滑，其包浆自然，令人爱不释手，既有观赏价值，实用价值，更具有不可估量的收藏价值，为香炉之翘楚，可谓是千金易得一宝难求的宝炉。

英文翻译：One of the ancient Chinese COINS. Ming Emperor Zhu Yijun wanli four years (1576) began to cast. Imitation Jiajing money system, there are small, fold two. Wanli Bao light back more see, a few xiaoping money back "work", "day", "gong", "is", "river", "Li" and so on, among which "Li" means the value of a silver one. Wanli Tongbao back "river", "households" are rarely seen; Discount two money casting quantity is also many, the production is excellent, occasionally has the back star moon, the price is quite high. In addition, there is silver "Wanli Tong Bao" money.

The collection is introduced

Chinese name: Wanli Tongbao Blessing coin

English name: Wanli Tongbao Blessing Coin

Category: Miscellaneous

Specification: 1 piece

Appearance: Beautiful

On the back, the goldwater is very obvious, part of it falls off, the coin has obvious marks of use, and the goldwater is plated in the later period. This feature is a rare blessing coin, rare in the world, with extremely high collection value.

Blessing of pit

Beginning in the second half of 2012, some Song Gold COINS were gradually unearthed at a construction site on the east side of Youanmen Street in Beijing (the north side of youanmen Bridge on the south second Ring Road). Mainly large order, there are a handful of taihe, its are main the feature is perfect golden, very good quality, through mud from the golden fall off place, with a thin layer of gold are attached to the money body wrapped slurry, distinct and "golden" flipped can also into pieces, so speculation at the time, it is very likely a number of painted with gold COINS. As the nearby area was once the ruins of The Temple of Saint ANSI of the Jin Dynasty, some people speculated that these COINS may have been used by wealthy people at that time to pray for blessings. They assumed that the gold paste was painted on the COINS by the ancient people to worship Buddha and pray for blessings, thus the legend of blessing money came into being.

This "Wanli Tongbao coin" engraved on the front "Wanli Tongbao" four characters, the handwriting is clear, vigorous and powerful. Looking at the casting body, the casting is regular, the edge is round and straight, the flat and flat, the crossing edge is clean, and the excellent caster shows the deep and straight outline, and the fineness and addition. Appreciate its money text, you can see wanli Tong Bao's unique font end beauty bright eye, and the opposite, the surface has obvious gold layer, part to fall off, full of ancient charm, very appreciate!

The yuan Dynasty issued a coin with eight sibawen COINS. The yuan Dynasty mainly used paper money, supplemented by a certain amount of copper COINS, most of which were the inscriptions of Bhasiba. In the Period of Kublai Khan, the chief monk Bhasiba created The Mongolian script, which is called "Bhasiba script". In 1269, Kublai Khan decreed the new characters to be written all over the world. Ba-si-ba-wen is formed by adding and deforming the ancient Tibetan language. There are 41 letters, which belong to pinyin characters.

The collection is introduced

Chinese name: green lacquer ancient eight sibawen COINS

Green Painted antique spavin coin

Category: Miscellaneous

Specification: 1 piece

Appearance: Beautiful

Green lacquer: an ancient bronze vessel with a surface of the same color as green lacquer. They are mostly found in han and Tang dynasties and unearthed in the south of The Yangtze River. It is characterized by green and black color, and some objects have no rust around them. Sem surface analysis showed that there was no fundamental difference between the composition and black lacquer, only the material structure and morphology were different. It is formed by natural corrosion on the tin surface of bronze ware.

Positive thought the eight, the overall green paint the old wrapped slurry, gu yun, said to the coin of history, is recognized by the developed jade, in the absence of copper coin is worth to do deals with jade, and the ancients think day is round the ground is square, so make the outside circle within a circle of jade to day, the three coin within the cylindrical side, symbol of heaven and earth, both historical research value, can also be evil evil, to be safe.

It was cast in 1127 AD, the first year of Jianyan in Gaozong of the Southern Song Dynasty. "Jianyan Tongbao" have small, fold two, fold three copper, iron money, money grain seal character, regular script in pairs, the casting capacity is large, format is complex, there are big characters, small characters. "Jian Yan heavy treasure" is rare, to fold three seal characters, copper, iron money are. The casting amount of "Jianyan ingot treasure" is very small. The qianwen seal script and Official script are both precious ancient COINS.

The collection is introduced

Chinese name: Jianyan Tong Bao

English name: Build Phlogistic TongBao

Category: Miscellaneous

Specification: 1 piece

Appearance: Beautiful

Coin outside circle inside square symbolizes heaven and earth, the universe between the building yan Tong Bao four words read directly, the opposite light back, the handwriting is mellow and elegant, after a long time, the handwriting is still clear, perfect, with high collection value.

Back light back, there are local vermilion rust, and the front vermilion rust corresponding, a kind of money rust. The surface is purplish red, maroon oxide layer, because of color such as cinnabar (mercury), commonly known as "cinnabar rust". Have this rusted coin to open the door genuine article, has always been loved by the Tibetan friends.

End of the three coin patina nature, light is downy, so-called wrapped slurry is a natural formation of the oxide layer, also some people to hand wrapped slurry, the two different, but at the same time have to protect the function of money, like a plated COINS on a layer of protective film, make money no longer oxidation, facilitate collection handed down from ancient times, if feel money is dirty, can wash, reoccupy cloth wipe, do not destroy the wrapped slurry, destroyed the wrapped slurry is equivalent to destroy the protective layer, more important is the wrapped slurry is the most simple and effective method for identification of new and old COINS. Look closely at these three COINS perfect, there is no knock, damage, deformation and so on is not much collection grade COINS, because the amount of rare, very rare, with a very high collection value.

The ancients said: with bronze as a mirror, can be dress, to correct their words and deeds; Tang Dynasty poet Li He also used a poem "Shuangluan Opening mirror like autumn light, the solution of the mirror standing like a bed." To depict the moving scene of women's dressing and dressing on mirrors, bronze mirrors have integrated ornamental value and practical value. In the Tang Dynasty, bronze mirrors reached the third peak in their development history. They not only changed in styles, but also frequently innovated in techniques, making them popular among People in the Tang Dynasty. The grape pattern of sea beast is the result of craftsman's clever thinking in this period. The combination of the charm of tang Dynasty and the culture of western regions is mysterious and gorgeous. Today we will come to meet the colorful "mirror of many mysteries".

In ancient times in China, people found that still water could shine on people through rivers and ponds, so they gradually extended to the earliest time when they used water in pottery basin as a mirror to look at their faces and make up. After the invention of copper, with copper basin holding water, the shape of the shadow. "Shuo Wen · Jin Bu" interprets "jian" as "basin", so the basin (Jian) holding water is the earliest mirror. With the improvement of smelting technology, people found that smooth copper surface can shine, the Shang and Zhou dynasties began to trial production of copper tin and silver lead alloy technology to make copper mirror.

The collection is introduced

Chinese name: Bronze mirror of The Han Dynasty

English name: Bronze Mirror of The Han Dynasty

Category: Miscellaneous

Specification: 1 side

Appearance: Beautiful

Han Dynasty Bronze mirror: this bronze mirror is red and green embroidered. It is an ancient bronze mirror. The surface of the bronze mirror is in gold style and separated by four milk nails.

Red spot green embroidery is the most direct way to distinguish imitation bronze mirror. The concave mirror shows red spots, prominent parts, extremely obvious verdigris, scattered natural, no artificial fake traces.

Copper rust is commonly known as verdigris, its main component is basic copper carbonate chemical formula Cu2(OH)2CO3.

It is the result of copper reacting with oxygen, carbon dioxide and water in the air, and is emerald green.

Cu 2 H2O O2 CO2 = Cu2 (OH) 2 co3

Placed in the home the bronze mirror instant ancient elegance and bronze mirror has the effect of town house to ward off bad luck, whether it is a collection or watch is not the first, imitation bronze mirror on the market at present is more, the surface of bronze mirror erythema patina, and wrapped slurry, may feel relieved collection, with a bronze bronze ware, the value is much higher, due to the extant quantity is little, the high value for collection.

The pa per. It is one of the five famous song porcelain kilns. All kilns have tang, Song, Jin, Yuan, Ming. Jun porcelain, like other porcelains, evolved from pottery and was the inheritance and continuation of pottery. According to archaeological findings and research on extant jun porcelains, the types of ancient Jun porcelains can be generally divided into two categories: one is household ware type, and the other is furnishings type. Some experts believe that the bowl, dish, dish, stove, tripod and other civilian daily utensils commonly known as minjun. Corresponding to this, it is based on flowerpot, wash, zun, bottle and other modeling, commonly known as guan Jun. Guan Jun porcelain, elegant shape, wonderful kiln, jun porcelain is regarded as the treasures. Official jun porcelain is very rare in the world. It is mainly collected in The National Palace Museum in Beijing, the National Palace Museum in Taipei, freer Art Museum in the United States, Sackler Art Museum in Harvard University and other places. There are only a few hundred pieces of official and jun porcelain in public and private collections around the world, which are very precious

The collection is introduced

Chinese name: Jun Yao Mei Vase

English name: Mei Flask

Category: Porcelain

Specification: one piece

Appearance: Beautiful

Plum vase, also known as Jing Vase, first appeared in the Tang Dynasty, became popular in the Song and Liao dynasties, and many new varieties appeared. In modern times, Xu Zhicheng described in detail the shape, characteristics and the origin of the name of the plum bottle in the book "Porcelain for Drinking Flow Zhai" : "The mouth of the plum bottle is thin, the neck is short, the shoulder is very broad, the shank is narrow, and the foot is slightly rich. The diameter is small only in proportion to the thin bone of the plum, so the name plum bottle. As for the use of plum bottle, there are verses such as "Clear wine" and "sea of wine" in the belly of the white ground black plum bottle in Cizhou Kiln. Plum bottle is not only a wine utensil, but also an irresistible ornamental object. Accordingly, this kind of implement makes delicate more, not only take into account storage wine capacity, pay attention to modelling to be graceful even.

Jun kiln is one of the five famous kilns of Song Dynasty in China. It not only has a dignified and composed shape, but also has a dignified and unsophisticated glaze that is unpredictable. In particular, various kiln glazes, such as rose purple, crabapple red, flame green, chicken blood red and parrotgreen, can't be compared with other kilns. Jun glaze has a high temperature firing, but also a second firing, the first plain firing, out of the kiln after glaze color, second firing. Jun porcelain's glaze color is unique and ever-changing, with red, blue, green, white and purple blending into each other and glittering like clouds. This is because of the artistic effect caused by mixing copper oxide in the firing process, which is a great invention in Chinese porcelain making and is called "kiln transformation".

In the figure above, obvious kiln changes can be seen. Jun porcelain's artistic charm is mainly expressed in its simplicity, which gives people a sense of beauty. This simplicity is manifested in the pursuit of the form and glaze color similar to nature in its modeling and glaze color. Tire, glaze, form complement each other, form oneself unique style, in the pursuit of artistic verity at the same time, pay attention to practical function, simple and elegant, dignified and natural, without the slightest sense of artificial, bottom foot oxidation rust foot, is caused by long-term oxidation of iron elements, is also left the imprint of time.

Collections are kiln porcelain fun, because there is no a both kiln kiln is identical, that is to say everything is orphan works, which in the other five of ancient jun kiln mouth does not have the collection value, the value of this popular, wealthy, jun porcelain is better than a, shows its high value, can be said to be a treasure porcelain, to be predestined friends the human to hide it.

"Yutang Qingwan" is said to be the name of Yan Donglou, son of Yan Song, Ming Dynasty. Yan Donglou himself did not cast furnace, but love to collect a good copper furnace, and "Yutang Qingwan" hall money system on it. "Yutang clear play" style furnace for Yan copper ware. Zhao Ruzhen recorded in his Antique Guide that "Yan's furnaces are all those without money, which have been taken from xuan stoves, but not made by them". The Antique Guide written by Zhao Ruzhen is regarded as a classic of the antique culture of the Republic of China, and the "Clear Play of Yutang" is therefore regarded as a famous inscription of "Xuande Furnace". Therefore, the stove printed with this money, at that time is the most expensive, is considered to be "not xuande furnace", all generations of copy.

The collection is introduced

Chinese name: Yutang incense burner in hand

English name: The incense burner in hand

Category: Porcelain

Specification: one piece

Appearance: Beautiful

This bronze incense burner is a golden incense burner with four characters on the bottom and a neat inscription. Because of its small shape, it is convenient for the ancient people to carry it with one hand or both hands. It is very comfortable to smell the incense quietly holding the incense burner with both hands.

Why "Xuande furnace" engraved "Yutang play" is so precious? The good quality of the copper furnace is remarkable. The origin of "Yutang" is big, the history is also long, is also the reason.

During xia, Shang, Zhou, Spring and Autumn and Warring States periods, the Worship of jade by Chinese people was extremely sacred. Jade at that time was mainly used as ritual vessels to offer sacrifices to gods and goddesses. Later, people hung jade round on the walls of the house. At the beginning, the jade round was hung to look pretty, but it was only for decoration. "Feng Fu" by Song Yu in the Warring States Period reads "... Then I wander about the central courtyard, stroll to the North jade Hall, jointed with lodges, pass through bridal chamber, which is the wind of the king. This is "jade hall" the first word see. "Han Feizi · Keep the way" : "the Lord surrendered to the jade hall." It can be seen that the Warring States period has been called "Yutang".

During the Tang Dynasty, the office of the official Hanlin Courtyard was not only hung with jade, but also named "Yutang Dian". To the Song Dynasty, the Academician courtyard also called "yutang". Then to the Yongle Xuande Period of The Ming Dynasty, from emperors to courtiers and literati, etc. were often used in poetry writing. Even the signing of porcelain, there are also a large number of "Jade Hall fine ware". Visible, since ancient times "jade hall" is the title of the study room, hall pavilion, hall, does not point to refer to the specific room of who.

Today, we can see the "Jade Hall play" Xuande furnace, as well as a variety of related statements, mostly from this source. If possible, the excavation of emperor Xuande's tomb in the morning and evening may be confirmed. In this way, "Yutang qingwan" Yan's Xuande furnace, is not plagiarism, is not xuande furnace sample furnace, let alone the real Xuande furnace. However, into the Ming "Jade hall clear play" furnace has the best tool.

In Wang Shixiang's Zizhuji, there are four copper vessels in the "Jade Hall Clear Game". Among them, three li vessels are equipped with willow leaf seal script and one big li furnace has a square seal structure. Two types of calligraphy, the nature is the willow leaf seal body is good. Generally speaking, "Willow seal body" the furnace quality of recognition is higher, can be on the Tibet. "Zhong Ding Ming Xiang" (2) in, there is a red zhuan ear furnace jujube, Is also liuye zhuan "Yutang qing play", no matter the craft, copper, year, compared with Those no leather furnace Mr. Wang Shixiang, but also a lot of noble, and for the palace old things, famous old collection. If be placed in hall hall study, it is noble very much.

This fragrant incense burner, decorated with gold and jade Hall, is perfect in appearance. Its color melts inside and gives out a strange light from the dark. Historical records have more than 40 colors, beloved for the world, the wonderful incense burner, in the treasure connotation of pearls, Dan Dan Mu Mu. Feel smooth, its pulp natural, people can not put down, both ornamental value, practical value, but also has inestimable collection value, for the censer of the best, it can be said that a treasure is easy to get a treasure difficult to find treasure furnace.

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