郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)


郎朗受国外YouTube频道France Musique的邀请,以面对镜头的方式向大家传授练琴秘诀。他怎么自述的呢?内容如下:


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(1)

郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(2)


学习钢琴的最佳年龄是从2岁到100岁

I think the ideal age from learning piano is from 2 to 100


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(3)

郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(4)


一开始 每天练习一个小时就足够了In the very beginning, I think one hour will be actually good


20分钟用于基础练习and then you put like 20 minutes to the basic training,


20分钟用于弹奏简单曲目20 minutes to play some small pieces


另外的20分钟去随性演奏(弹自己喜欢的曲子)and then another 20 minutes try to improvise something on a piano


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(5)


学习弹钢琴最难的部分在于The most difficult aspect for learning piano is


左右手的协调分工that you need to be separated between the right hands


因为这样才能锻炼我们的大脑and the left hands because you know, this is how you train both brain.


左右手协调后 弹琴就容易了 当然还需要大量的练习After that it should be easier, a lot of practice of course


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(6)


双人奏和室内音乐是了解其他乐器的关键Duet and chamber music is the key to learn other instruments,


你要和演唱者配合 让歌曲更动听so you have to work with singers to make piano more like a singing


你要与弦乐器演奏者配合and then to work with the string players.


还要与木管乐器 铜管乐器 打击乐器 吉他配合Then work with the woodwind, the brass, percussion, guitar,


这样演奏出的音乐才能够气势恢宏and then the music becomes much bigger


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(7)


音乐并不仅仅只是弹奏几个音符So it's not enough just typing the note,


而是对已经存在了200多年的音符it's more like what you are you going to create


进行创造或再创造or recreate after those notes already existed more than 200 years old,


你可以把你的情感some of the pieces and to bring your love


你的真诚融入到音乐中and sincereness into the music making


让你的音乐充满色彩 充满情感and to make music very lively with colors, with emotions,


富含情感的变化 人物的变化 品味的变化with a different mood, with different characters, with different tastes


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(8)

我认为 对于任何一个钢琴家来说 都需要永怀对音乐的激情I think we always need to, for any pianist; we need to keep our passion


对音乐的热爱and the flame for loving music always there


如果没有了激情and if your passion is gone then unfortunately


一切也就无从谈起then everything is gone.


这就是成功的要决So that is the engine of success


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(9)


对于我而言 音乐是栩栩如生的

For me, I think music is very visual


就如一个多媒体显示屏一样 涉及方方面面It needs to be thinking through like a multimedia screen


我们在表演的时候when we are performing


不仅要想着音乐not only just looking at the music,


还要考虑与音乐相关的因素but also to think about what's the surrounding


如何让音乐讲诉背后的故事and make some story behind the theme and how to get connect


如何与主旋律相结合 to the main melodies, main voices from the piece


然后我们脑海中油然产生一幅画 一幅用音乐描绘的情感之画and then also to draw a kind of a picture, the emotion picture of the piece.


这样你才能感受到一首曲子的最高潮So you'll find where the top is.


你要想尽一切办法将一首曲子演奏到极致You need to give everything the climax of the piece


要做到这一点 你就要做到纵观全局 面面俱到and so in way you had you have to be very multifunctional


郎朗多自律每天弹琴两个小时(当郎朗坐在你面前和你聊练琴方法)(10)


音乐教育应平衡 还应非常专业Music education needs to be balanced, very academic,


所有的技能都应受到良好的培训which everything needs to be very properly trained


同时 我们中的任何一个人都应该成为一名艺术家In the same time, every one of us should be an artist


有了艺术熏陶 我们就有更多机会结识不同的人and the artistic training is more working with different people,


与人交流 talking to people and playing different objects


学到更多的知识and learning different subjects


我认为这是学习艺术的另一种方法and I think that's another way of learning arts


此外再进行专业技能的训练and then you train professionally technique.


这样两个世界就融合到了一起So that's the two worlds are merged


而音乐教育就应该是这样and that's how music education should be

,

免责声明:本文仅代表文章作者的个人观点,与本站无关。其原创性、真实性以及文中陈述文字和内容未经本站证实,对本文以及其中全部或者部分内容文字的真实性、完整性和原创性本站不作任何保证或承诺,请读者仅作参考,并自行核实相关内容。文章投诉邮箱:anhduc.ph@yahoo.com

    分享
    投诉
    首页