art绘画作品（ArtStyle幻观念）

“Wen Guang solo exhibition”“幻·观念”文廣个展，我来为大家科普一下关于art绘画作品?以下内容希望对你有帮助!

art绘画作品

“Wen Guang solo exhibition”

“幻·观念”文廣个展

策展人 汤浩

Curated by Tang Hao

展览时间 | Duration

2021.10.10（周日）- 2021.11.9（周二）

展览开幕 | Opening

2021.10.10（周日）14:30pm-16:00pm

地址 | Address

上海市南京西路399号 明天广场JW万豪酒店裙楼5/6楼灰墙艺术空间

No.1 Greywalls Art Space.5/6F JW Marriott，Tomorrow Square,No.339 Nanjing West Road ,Shanghai

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文/汤浩

Article/Tang Hang

灰墙艺术的签约艺术家越来越多，风格差别迥异，但若论与灰墙艺术气质的契合性，举办本次个展的青年艺术家文廣，必是居于前列的。文廣颇具实验精神，从中央美院壁画系毕业至今，一直在探索不同的表现手法和创作路径，几乎每年都有新的系列诞生。此次出展的是文廣近两年的创作新品，而最近一年，他也是刚从北京搬到了上海，可以说这些作品直观地反映了艺术家经历疫情和移居后的一些创作意图的变迁，所以本次个展的展名包含了一层理念转换的意思。

文廣，无极，200x300cm，布面油画，2021

There are more and more contracted artists of Greywalls Art with different styles. However, if it is consistent with the artistic temperament of Greywalls, Wen Guang, the young artist holding this solo exhibition, must be in the forefront. Wen Guang has quite an experimental spirit. Since graduated from the Murals Painting Department of the Central Academy of Fine Arts, he has been exploring different expression methods and creative paths, and a new series is born almost every year. This exhibition is about the new works created by Wen Guang in recent two years, and he has just moved from Beijing to Shanghai in the last year. It can be said that these works intuitively reflect the changes of the artist's creative intention after the epidemic and migration. Therefore, the title of this solo exhibition contains a concept layer of changing mind.

文廣的作品，给人的第一印象就是幻，这种幻不仅表现在画面的虚幻处理，更表现在内容的幻境架构，但我个人的解读（仅供大家参考）则是，画面的幻是为内容的幻而服务的，内容的幻，才是艺术家真正的意图。文廣的每一幅带有具象的作品，都是他一次思考的总结，这种思考可能是关于哲学的，也可能是关于人生的，亦或是关于周遭正在发生的重大事件。画面中所有出现的形象、结构和符号，甚至是光和色彩，都是他关于这一思考的问题、答案、提问和回答的过程。而难点是，构成一次思考的这些元素，在现实世界里是无法出现在同一场合或是同一时空的，于是文廣聪明地采用了梦这一场景，来合理而且和谐地归纳了所有想表达的一切，于是我们看到了画面梦幻般的艺术效果。至于画面中出现的缤纷的形象、结构、符号、光影和色彩分别表达了什么，则要看大家自己的理解。弗洛伊德说过：梦是愿望的满足。文廣出了一道叫“梦的解析”的题目，让喜欢哲学和心理学的藏家，除了欣赏艺术外，也增添了解题的乐趣。又或是文廣希望每个观者都能形成自己独到的理解，不用和艺术家的创作本意相同，自己的永远是最好的，那么这幅作品也就成为了观者拥有的独一份的原创，绝无盗版。

文廣，世纪家园2，200x300cm，布面油画，2020

Wen Guang's works give people the first impression of illusion. This illusion is not only reflected in the illusory treatment of the picture, but also in the dreamland structure of the content. However, my personal interpretation (for your reference only) is that the illusion of the picture serves the illusion of the content, and the illusion of the content is the artist's real intention. Each of Wen Guang's concrete works is a summary of his thinking, which may be about philosophy, life, or major events happening around him. All the images, structures and symbols in the picture, even light and color, are his questions, answers, and the processes about this thinking. The difficulty is that these elements that constitute a thought cannot appear on the same occasion or in the same time and space in the real world. Therefore, Wen Guang cleverly adopted the scene of dream to reasonably and harmoniously summarize everything we want to express, so we saw the dreamy artistic effect of painting. As for what the colorful images, structures, symbols, light, shadow and color in the picture express respectively, it depends on everyone's own understanding. Freud said: Dream is the Satisfaction of Desire. The artist published a problem called "The Interpretation of Dreams", which makes collectors who like philosophy and psychology not only appreciate art, but also increase the fun of solving the problem. Or Wen Guang hopes that each viewer can form their own unique understanding, not the same as the original intention of the artist's creation, and their own work is always the best, so this work has become the only original owned by the viewer, and there is no piracy.

说到梦境的绘画表达，大家都会很快联想到超现实主义大师达利，文廣的创作风格也可归入超现实一派，但他的画面中却没有出现扭曲的类似软体挂钟的物件，他安排的都是类似电影《少年派的奇幻漂流》里同猛虎共处一舟飘荡在浩瀚海洋的桥段，可以说文廣的超现实，从单一符号的象征意义，拓展到了行为和事件的说明主义，某种程度上说是流派的突破，是文廣对艺术进化的贡献。

文廣，流动的色彩2，50x60cm，布面油画，2021

When it comes to the painting expression of dreams, everyone will soon think of the Surrealist master Salvador Dali. Wen Guang's creative style can also be classified into the Surrealist school, but there are no distorted objects similar to the soft-bodied wall clock in his picture. What he arranged are similar to the bridge section of the movie Life of Pi, where the main character lives in a boat with the tiger in the vast ocean, It can be said that Wen Guang's surrealism has expanded from the symbolic meaning of a single object to the illustrative doctrine of behavior and events. To some extent, it is a breakthrough of schools and the contribution of Wen Guang to the evolution of art.

此次展览的还有很多没有具象的作品，他们又是文廣艺术进化实验的杰作，因为它们是介于超写实和抽象之间的一种艺术表达。是的，是超写实，而不是超现实。这些作品，猛一看，或是从远处欣赏，都会给人一种抽象画的感觉，类似里希特的作品表达，但比这位抽象大师的作品传递出更多的规则和频率，而另一个不同之处则在于用色和光泽，文廣的作品透出令人愉悦的时尚气息，画面明快，色彩鲜亮，青春但不失雍容。我们再走向作品，当焦距调近，我们会越来越清楚地发现，那些作品的描画其实非常精细，我们看到了雨滴因为速度的拉扯，在窗玻璃上滑出了一道水渍，看到了雾面玻璃背后斑斓的霓虹闪烁，也看到了互相扭曲缠绕的线条其实都是立体的管线，这些绝对是超写实的绘画手法。两个截然不同的流派，被融进了一幅作品中，文廣不仅读懂了艺术理论，而且在实践中努力去融会贯通，试图打破艺术史既定的流派分割。

文廣，画中画1，80x80cm，布面油画，2021

There are also many works without concrete images in this exhibition. They are also masterpieces of Wen Guang’s evolution experiment of art, because they are an artistic expression combining hyper realism and abstraction. Yes, it's hyper realism, not surrealism. These works, at a glance or appreciated from a distance, will give people a feeling of abstract painting. They are similar to Richter's works, but they convey more rules and frequencies than the works of the abstract master. Another difference is the use of color and luster. Wen Guang’s works reveal a pleasant fashion atmosphere, with bright pictures and colors, youth but grace. When we move closer to the works, we will find more and more clearly that the paintings of those works are actually very fine. We see that raindrops slide a water stain on the window glass due to the pulling of speed, see the colorful neon flashing behind the fog glass, and see that the twisted and intertwined lines are actually three-dimensional pipelines, These are absolutely hyper real painting techniques. Two distinct schools were integrated into one work. Wen Guang not only understood the art theory, but also tried to integrate them in practice, trying to break the established school division in art history.

文廣一直大踏步地走在艺术实验的道路上，《幻∙观念》这个主题不仅是对文廣过去两年艺术实验的总括，也是对他未来艺术追求的鼓励，我们相信，他会给我们带来层出不穷的惊喜。这样的青年艺术家，是灰墙艺术极力推崇的，也应该是被廣大藏家所喜爱和认可的。

Wen Guang has been making great strides on the road of art experiment. CHANGING, the theme of this exhibition, is not only a summary of Wen Guang's art experiment in the past two years, but also an encouragement to his future artistic pursuit. We believe that he will bring us endless surprises. Such young artists are highly praised by Graywalls Art and should be loved and affirmed by collectors.

文廣，画中话3，80x80cm，布面油画，2021

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AFI STYLE IP 艺术家 | 文 廣

文廣，1990年出生，当代艺术家。北京现代管理大学客座教授，中国壁画学会会员，毕业于中央美术学院，工作生活于上海。文廣的作品追求艺术思想的深度挖掘，意在探索人类文明发展产生的议题，并主张创作要有“思想知觉化”的特征。他的创作常借时事新闻、科技、潮流⽂文化、古代神话等形象，以隐喻和意象化的象征⼿手段表达对现实社会的批判和反思。近年来，他参加过多场国内外重要展览，并于欧洲现代艺术博物馆获得“第十四届ARC国际艺术沙龙大赛奖”，作品被国内外多个重要机构和藏家收藏。