椭圆纸盘画青花瓷（精品推荐名人字画）

张大千（Chang Dai-Chien，1899年5月10日—1983年4月2日），原名正权，后改名爰，字季爰，号大千，别号大千居士、下里港人，斋名大风堂。四川内江人，祖籍广东省番禺，1899年5月10日出生于四川省内江市市中区城郊安良里（现市中区公园湾半坡井“芭蕉井” ）的一个书香门第的家庭，中国泼墨画家，书法家。

20 世纪50年代，张大千游历世界，获得巨大的国际声誉，被西方艺坛赞为“东方之笔”。

他与二哥张善子昆仲创立“大风堂派”，是二十世纪中国画坛最具传奇色彩的泼墨画工。特别在山水画方面卓有成就。后旅居海外，画风工写结合，重彩、水墨融为一体，尤其是泼墨与泼彩，开创了新的艺术风格，因其诗、书、画与齐白石、溥心畲齐名，故又并称为“南张北齐”和“南张北溥”，名号多如牛毛。与黄君璧、溥心畲以“渡海三家”齐名。二十多岁便蓄著一把大胡子，成为张大千日后的特有标志。1983年4月2日逝世。

藏品介绍

中文名称：张大千美女图

英文名称：Zhang Daqian beauty picture

类别：字画

规格：一幅

品相：美品

他曾与齐白石、徐悲鸿、黄君璧、黄宾虹、溥儒、郎静山等及西班牙抽象派画家毕加索交流切磋。

看过武侠片的都知道，武功高强者会去各个武馆去踢馆较量，来体现自己的实力，那画家是怎么踢馆，体现其非凡的实力呢？

张大千临摹功力非凡，临摹作品被各路画家均认定为真迹，其功力之深厚，应了徐悲鸿送他的那句话，500年来第一人。

张大千是一个没有码头的画家，那个年代的画家都要师承有序，你在说你的画时，先听听你是谁的徒弟，哪个画派，是哪个码头的，而张大千却是天赋加勤奋，靠一支笔画出名的奇才。

美女图画工精美，印章对应张大千章谱极为符合，落款为张大千字体，为罕见的张大千真迹，张大千不仅是国内书画大师，也被西方艺术协会誉为东方之笔，在纽约获得国际艺术金奖，他被徐悲鸿，毕加索这两位国际大师所敬佩的画家，张大千的作品被公认为抗跌性最好的画家，2010年爱痕湖以1.008亿拍出，成为了中国近代书画，首个字画拍卖过亿的艺术作品，2016年的交易额达到3.55亿美元，成为当年度累计价格最高的艺术家，其名气更是如雷贯耳，张大千的字画为墨宝收藏之巅峰，此画品相完美，具有极高的收藏价值。

徐悲鸿（1895年7月19日—1953年9月26日），汉族，原名徐寿康，江苏宜兴县屺亭镇人，中国现代画家、美术教育家。曾留学法国学西画，归国后长期从事美术教育，先后任教于国立中央大学艺术系、北平大学艺术学院和北平艺专。1949年后任中央美术学院院长。擅长人物、走兽、花鸟，主张现实主义，于传统尤推崇任伯年，强调国画改革融入西画技法，作画主张光线、造型，讲求对象的解剖结构、骨骼的准确把握，并强调作品的思想内涵，对当时中国画坛影响甚大，与张书旗、柳子谷三人被称为画坛的“金陵三杰”。所作国画彩墨浑成，尤以奔马享名于世。

徐悲鸿被尊称为中国现代美术教育的奠基者，他主张发展“传统中国画”的改良，立足中国现代写实主义美术，提出了近代国画之颓废背景下的《中国画改良论》。

1953年9月26日，徐悲鸿因脑溢血病逝，享年58岁。按照徐悲鸿的遗愿，夫人廖静文女士将他的作品1200余件，他一生节衣缩食收藏的唐、宋、元、明、清及近代著名书画家的作品1200余件，图书、画册、碑帖等1万余件， 全部捐献给国家。

藏品介绍

中文名称：徐悲鸿奔马图

英文名称：Xu Beihong ran Ma Tu

规格：一幅

类别：字画

品相：美品

大师采用了豪放的泼墨和劲秀的线描写意方法，着重刻画出马的神韵和气质。画中的马雄骏、矫健、轻疾，颇有“瘦骨铜声”之美感，奔马强壮有力，生机勃勃，这幅《奔马图》不仅表现了马的精神和特征，更赋予了画家自己的个性和理想——为振兴民族艺术而奋斗！

徐悲鸿的马被称为中国画五绝之一，其价更胜齐白石的虾，他的马腿关节就像是榫卯结构一样插上去的，看其来矫健有力，徐悲鸿的马就跟他的人一样，是最能反映徐悲鸿个性，最能表达他的思想感情。他的马受到世人广泛喜爱，除了画技精湛之外，更重要的是他倾注于其中的感情，并将这种感情化作一种精神以马为载体而表现出来。马，在中国的文化里是一种人才的象征，俗话说“千里马常有，而伯乐不常有”就是以马喻人。同时马也是一种民族振奋的象征，徐悲鸿喜欢画马，也正是有所感而发。此奔马图为徐悲鸿巅峰之作，而徐悲鸿的马在拍卖市场早以过亿，可见其为千金易得，一宝难求的墨宝，具有极高的收藏价值。

青花瓷（blue and white porcelain），又称白地青花瓷，常简称青花，是中国瓷器的主流品种之一，属釉下彩瓷。青花瓷是用含氧化钴的钴矿为原料，在陶瓷坯体上描绘纹饰，再罩上一层透明釉，经高温还原焰一次烧成。钴料烧成后呈蓝色，具有着色力强、发色鲜艳、烧成率高、呈色稳定的特点。原始青花瓷于唐宋已见端倪，成熟的青花瓷则出现在元代景德镇的湖田窑。明代青花成为瓷器的主流。清康熙时发展到了顶峰。明清时期，还创烧了青花五彩、孔雀绿釉青花、豆青釉青花、青花红彩、黄地青花、哥釉青花等衍生品种。

藏品介绍

中文名称：大明宣德青花鱼藻纹葵口碗

英文名称：Daming Xuande blue mackerel grain sunflower mouth bowl类别：瓷器

规格：一件

品相：美品

底足双圈青花六字款，大明宣德年制，圈足为糯米胎，最早称之为“糯米汁胎”是形象描述胎体的质感，如同糯米经水磨后流出的米浆一般细腻、光滑。后被称为糯米胎，此胎极其细腻，是瓷石经过多次提炼极其细腻后才有的极品瓷胎，这种瓷胎轻扣声音清脆悦耳，胎质紧密，较一般瓷器硬度要高，抗热涨冷缩能力强，很多瓷器经历上百年时间就会自然的干裂，我们成为阴裂现象，与窑裂不同，是后期形成的，而糯米胎瓷器就不会出现这种问题，由于瓷土极其细腻，也不会出现棕眼的现象，是美瓷的重要要素。

明清青花

明清时期是青花瓷器达到鼎盛又走向衰落的时期。明永乐、宣德时期是青花瓷器发展的一个高峰，以制作精美著称；清康熙时以“五彩青花”使青花瓷发展到了巅峰；清乾隆以后因粉彩瓷的发展而逐渐走向衰退，虽在清末（光绪）时一度中兴，最终无法延续康熙朝的盛势。总的说来，这一时期的官窑器制作严谨、精致；民窑器则随意、洒脱，画面写意性强。从明晚期开始，青花绘画逐步吸收了一些中国画绘画技法的元素。

永乐、宣德（1403—1435）的青花瓷器呈现出了较高的工艺水平。此期所用青料，以苏泥勃青为主，多见“铁锈斑痕”。也有部分国产青料。但即便是国产料，发色也相当好。器型有盘、碗、壶、罐、杯等。尤其是出现了一些僧帽壶、绶带扁壶、花浇等器型，反映了这一时期与外域的文化交流与融合。纹饰多见各种缠枝或折枝花果、龙凤、海水、海怪、游鱼等。胎质较以前细腻致密。釉质肥润，多见橘皮纹。两朝的器物相比，永乐的器型较轻薄、秀美，青花发色较浓艳、铁锈斑痕更重，纹饰较疏朗，描绘更细腻，底釉较白，器物多无款，仅见“永乐年制”四字篆书款。宣德器器体较厚重，纹饰较紧密，底釉略泛青，带款器较多，有四字或六字年款，并有“宣德款布全身”之说。总的说来，宣德青花数量大、品种多、影响广，故有“青花首推宣德”之说。

此宣德葵口碗：敞口，翻沿，弧腹，坦底，圈足。口沿十出，与之对应十条外凹内凸的折棱。施满釉，碗内缘边口一圈青花为天，底部双圈青花相隔为水，内画鱼藻纹，青花出现晕散，吃进胎骨，且釉面在自然光线下呈现漫反射光泽，为开门到代的宣德青花，极为名贵。

鱼藻纹：鱼与水藻相配称为鱼藻纹。这种鱼纹饰成为古代常见的鱼纹样式，宋代磁州窑的鱼藻纹浑朴生动，元代鱼藻纹，形态准确，描绘精致，水藻飘动，鱼儿浮游，水藻漂动显示水的流向，令人感受到水藻鱼乐的意趣。

此鱼藻纹葵口碗，先用浓青料平匀地拓抹在鱼背部，再青抹淡青料逐渐向鱼腹淡化，然后用浓青料画斜网细格，并微调网格线之间距离以表现鱼的游动姿态。

此青花画面颜色深浅不一，青花晕散明显，画面极其生动自然，不管从任何角度欣赏都是古韵十足，青花瓷是能最好表现泼墨山水画的瓷器，这是其它瓷器所做不到的，所以青花瓷最具中国风，最能体现中国山水画艺术的最好载体，china这个单词大家都知道是中国的意思，可是最早这个单词的意思就是瓷器，因为当时中国被称之为瓷器之国，可见我国瓷器的影响之大，已经成为对外的一张艺术名片了，而当时出口瓷最多的就是青花瓷，这件青花瓷开门见老，画工精美，底款规整，综上所述是一件十分难得的馆藏级藏品，具有极高的收藏价值。

英文翻译：Chang Dai-Chien (May 10, 1899 -- April 2, 1983), formerly known as Zhengquan, later changed his name to Yuan, then named Ji Yuan, also known as Daqian, daqian Jushi, and Xialiang, also known as Da Feng Tang. Born in Neijiang, Sichuan province, ancestral home in Panyu, Guangdong Province, on May 10, 1899, he was born into a scholarly family in Anliangli (now "Banana Well" in Banpo Well, Park Bay, Central District, Neijiang city, Sichuan Province). He was a Chinese ink painter and calligrapher.

In the 1950s, Zhang Daqian traveled around the world and gained a huge international reputation, being praised by the western art world as the "Oriental pen".

With his second brother, Zhang Shanzi and Kunzhong, he founded the "Great Wind Hall School", which was the most legendary splash-ink painter in the 20th century. He has made great achievements especially in landscape painting. After living overseas, painting style, heavy color, ink integration, especially splash ink and splash color, created a new artistic style, because of its poem, book, painting and Qi Baishi, Pu Heart she is the same name, so also known as "South Zhang Bei Qi" and "South Zhang Bei Pu", the name is more than hair. With Huang Junbi, Pu Xin she to "crossing the sea three". When he was in his twenties, he wore a big beard, which became a symbol of Zhang Daqian in the future. He died on April 2, 1983.

The collection is introduced

Chinese name: Zhang Daqian beauty picture

English name: Zhang Daqian Beauty Picture

Category: Calligraphy and Painting

Specification: one piece

Appearance: Beautiful

He once communicated with Qi Baishi, Xu Beihong, Huang Junbi, Huang Binhong, Pu Ru, Lang Jingshan and The Spanish abstract painter Picasso.

Saw martial arts film all know, martial arts high strong will go to each martial arts school to kick the house contest, to reflect their own strength, that painter is how to kick the house, reflect its extraordinary strength?

Zhang Daqian's copying ability is extraordinary. His copying works are recognized as authentic by all painters. His profound skill is the first person in the past 500 years to answer the sentence xu Beihong sent him.

Zhang Daqian was a painter without a pier, and painters of that era should be taught orderly. When you say your painting, first listen to whose disciple you are, which painting school you belong to and which dock you belong to. However, Zhang Daqian is a talented and diligent artist who is famous by one stroke.

Beauty picture elaborately, seal the corresponding spectrum is in accordance with chapter chang, with chang font, chang an original for rare, chang is not only the domestic painting and calligraphy masters, was also known as the pen of the east, western art association in New York for the international art gold medal, he was xu beihong, admired by the two international master painter Picasso, chang's work is recognized as the best painter in the defensive, love bites lake in 2010 to 100.8 million, became the modern Chinese painting and calligraphy, the first art work of calligraphy and painting auction $2016 turnover reached $355 million, became the highest total cumulative price artist, Its fame is like thunder through ears, Zhang Daqian's calligraphy and painting is the peak of the collection of ink, this picture is perfect, has a very high collection value.

Xu Beihong (July 19, 1895 -- September 26, 1953), an Ethnic Chinese citizen, was born Xu Shoukang, formerly known as Xu Shoukang. He was born in Qiting Town, Yixing County, Jiangsu Province. He is a modern Chinese painter and art educator. He studied Western painting in France and has been engaged in art education for a long time since he returned to China. He has taught in art Department of National Central University, Art School of Peiping University and Art College of Peiping University. He became President of the Central Academy of Fine Arts after 1949. Good at figures, animals, birds and flowers, realism, especially promoting ren yi, the traditional emphasis on reform into the painting techniques, painting light, modelling, object of be particular about anatomy, bones, accurately, and emphasize the connotation of work, great impact on Chinese painting, and Zhang Shuqi LiuZiGu three people referred to as the "jinling three jie" of the painting. Painted by the Chinese painting color ink, especially to galloping horses enjoy the name in the world.

Xu Beihong, respected as the founder of modern Art education in China, advocated the development of "traditional Chinese painting" improvement, based on Chinese modern realist art, proposed the Theory of Chinese Painting improvement in the context of the decadence of modern Chinese painting.

Xu died of cerebral hemorrhage on September 26, 1953 at the age of 58. According to Xu beihong's last wish, His wife Liao Jingwen donated more than 1200 pieces of his works, more than 1200 pieces of his works of famous painters and calligraphers of tang, Song, Yuan, Ming, Qing and modern times, and more than 10,000 pieces of books, picture albums and tablet posters to the country.

The collection is introduced

Chinese name: Xu Beihong, Running Horse

English name: Xu Beihong ran Ma Tu

Specification: one piece

Category: Calligraphy and Painting

Appearance: Beautiful

The master used bold and bold ink and vigorous line painting freehand method, focusing on depicting the charm and temperament of the horse. In the painting, the horse is strong, vigorous, and light of disease. It has the aesthetic feeling of "thin bone and bronze sound", and the galloping horse is strong and vigorous. This galloping horse map not only shows the spirit and characteristics of the horse, but also gives the painter his own personality and ideal -- to fight for the revitalization of national art!

Xu Beihong's horse is known as one of the five masterpieces of Chinese painting, and its price is even higher than That of Qi Baishi's shrimp. The joint of his horse's legs is like a mortion-and-mortion-joint structure, which is vigorous and powerful. Xu Beihong's horse, just like his people, can best reflect Xu Beihong's personality and express his thoughts and feelings. His horses were widely loved by the world. In addition to his superb painting skills, what was more important was the emotion he devoted to them and expressed it as a kind of spirit carried by horses. In Chinese culture, horse is a symbol of talent. As the saying goes, "A horse can cover a thousand li a day, but bole is not common" is used to describe people. At the same time, the horse is also a symbol of national excitement. Xu Beihong liked to draw the horse, which was also inspired by his feeling. This painting is the peak work of Xu Beihong, and xu Beihong's horse has been sold in the auction market for over 100 million yuan, so it can be seen that it is easy to get, a rare treasure of calligraphy, and has a very high collection value.

Blue and white porcelain, also known as white blue and white porcelain, is often referred to as blue and white porcelain. It is one of the mainstream varieties of Chinese porcelain, and belongs to underglaze color porcelain. Blue and white porcelain is made of cobalt ore containing cobalt oxide as raw material, which is decorated on the ceramic body, then covered with a layer of transparent glaze, and fired by a high temperature reduction flame. Cobalt material is blue after burning, with strong coloring, bright hair color, high burning rate and color stability. The original blue and white porcelain appeared in The Tang and Song dynasties, while the mature blue and white porcelain appeared in the Hutian kiln of Jingdezhen in the Yuan Dynasty. The blue and white of Ming Dynasty became the mainstream of porcelain. It reached its peak during the Kangxi period of qing Dynasty. In the Ming and Qing Dynasties, it also created blue-and-white colorful, malachite-green glaze blue-and-white, soya-green glaze blue-and-white, blue-and-white red, yellow-ground blue-and-white, blue-and-white and other derivative varieties.

The collection is introduced

Chinese name: Daming Xuande fish alga sunflower mouth bowl

Daming Xuande Blue Mackerel Grain Sunflower Mouth Bowl

Specification: one piece

Appearance: Beautiful

Double circle bottom foot blue and white six words, Daming Xuande system, circle foot for the glutinous rice embryo, the earliest known as "glutinous rice juice embryo" is the texture of the image describes the body, as the rice paste flowing out of the glutinous rice by water grinding general delicate, smooth. Called glutinous rice, after the child is very exquisite, is China stone some acura after many refined extremely delicate porcelain body, the porcelain body light sweet crisp, TaiZhi closely, more like porcelain higher hardness, heat from the cold resistance is strong, a lot of China experienced hundreds of years to naturally weather-shack, we become Yin crack phenomenon, unlike kiln crack, late is formed, and glutinous rice porcelain will not appear this kind of problem, because China clay is extremely delicate, also won't appear the phenomenon of brown eyes, is one of the important elements of the porcelain.

Ming and qing dynasty blue and white

Ming and Qing Dynasties is the blue and white porcelain to reach the peak and decline of the period. Ming Yongle, Xuande period is a peak of the development of blue and white porcelain, known for its exquisite production; In the Kangxi Period of Qing Dynasty, the development of blue and white porcelain reached its peak with "colorful blue and white porcelain". After Qianlong's reign in qing Dynasty, the development of powder enamel porcelain gradually declined. Although it was revived at the end of Qing Dynasty (Guangxu Dynasty), it could not continue the prosperity of Kangxi Dynasty. Generally speaking, the official kiln wares of this period were made with preciseness and delicacy. Civilian kiln ware is optional, free and easy, picture freehand nature is strong. Since the late Ming Dynasty, blue and white painting has gradually absorbed some elements of Chinese painting techniques.

The blue and white porcelain of Yongle and Xuande (1403-1435) showed a high level of craftsmanship. This period used green material, mainly su Nibo green, see more "rust stain". There are also some domestic green materials. But even with domestic materials, the hair color is quite good. Utensil type has dish, bowl, pot, pot, cup and so on. In particular, there appeared some caper POTS, sash flat POTS and flower watering POTS, which reflected the cultural exchange and integration with outland during this period. Ornamentation see a variety of twisted branches or broken branches fruit and fruit, dragon and phoenix, sea water, sea monster, fish, etc. The fetus is more delicate and dense than before. Enamel fat embellish, see orange skin grain more. Compared with the two dynasties implements, yongle implements more thin, beautiful, blue and white hair color, rust stain more heavy, decorative more thin, more delicate description, bottom glaze more white, implements more no money, only see "Yongle system" four character seal script. Xuande ware body is thicker, the decoration is closer, the bottom glaze slightly green, with more money, there are four or six words of the year, and "Xuande style cloth body" said. Generally speaking, the number of Xuande blue and white, variety, wide influence, so there is "the first push xuande blue and white" said.

This Xuande Kui mouth bowl: open, over, arc abdomen, tandi, circle foot. Mouth edge 10, corresponding to ten concave convex fold edge. Apply full glaze, bowl inside edge mouth a circle of blue and white for the day, bottom double circle of blue and white separated by water, inside painting fish and algae grain, blue and white halo, eat into the bone, and glaze in the natural light line to show diffuse reflection of luster, open the door to the generation of Xuande blue and white, very expensive.

Marine algae: fish and Marine algae match called Marine algae. This fish pattern became a common pattern in ancient times, such as the simple and vivid fish-algal pattern in Cizhou kiln in the Song Dynasty and the fish-algal pattern in the Yuan Dynasty, with accurate shape and exquisite description. The floating of algal, the floating of fish and the floating of algal show the direction of water, making people feel the pleasure of algal and fish.

This fish-algal grain sunflower mouth bowl is first spread evenly on the back of the fish with the thick green material, then the light green material is gradually diluted to the belly of the fish, and then the thin grid is drawn with the thick green material, and the distance between the grid lines is fine-tuned to show the swimming posture of the fish.

This blue screen color shades, blue and white halo, picture extremely vivid and natural, no matter from any Angle to appreciate is a sensibility, blue and white porcelain is the best performance splash-ink landscape painting of China, it is the other porcelain can't do, so most Chinese wind of blue and white porcelain, most can reflect the best carrier of Chinese landscape painting art, China this word is the meaning of the Chinese is known to all, but the meaning of this word is the earliest porcelain, because the country is referred to as Chinese porcelain, is our country the influence of China, has become a foreign art card, at a time when export porcelain is blue and white porcelain, This blue and white porcelain is old, with exquisite painting and neat bottom. To sum up, it is a rare collection with high collection value.

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