齐白石虾的特点（精品推荐齐白石虾赏析）

齐白石画虾可说是画坛一绝，灵动活泼，栩栩如生，神韵充盈，用淡墨掷笔，绘成躯体，浸润之色，更显虾体晶莹剔透之感。以浓墨竖点为睛，横写为脑，落墨成金，笔笔传神。细笔写须、爪、大螯，刚柔并济、凝练传神，显示了画家高妙的书法功力。画家写虾，来自生活，却超越生活，大胆概括简化，更得传神妙笔。

Qi Baishi's shrimp paintings are unique in the painting world. They are clever, lively, lifelike and full of verve. They are painted with light ink and their bodies are bathed in color, which makes the shrimp body crystal clear. With thick ink vertical point for the eye, horizontal writing for the brain, the ink into gold, the pen vivid. The fine brush strokes with whiskers, claws and pincers are both firm and soft, concise and expressive, showing the painter's exquisite calligraphy skills. The painter writes shrimp, comes from the life, but surpasses the life, the bold generalization simplification, gets the expression wonderful pen.

齐白石从小生活在水塘边，常钓虾玩；青年时开始画虾；40岁后临摹过徐渭、李复堂等明清画家画的虾；63岁时齐白石画虾已很相似，但还不够“活”，便在碗里养了几只长臂虾，置于画案，每日观察，画虾之法也因此而变，虾成为齐白石代表性的艺术符号之一。

Qi Baishi grew up living near ponds and often played shrimp fishing. Youth began to draw shrimp; After the age of 40, I copied shrimp painted by Xu Wei, Li Futang and other Ming and Qing painters. At the age of 63, Qi Baishi had already drawn shrimp in a similar way, but it was not "alive" enough. He raised several long-armed shrimp in a bowl and placed them on the drawing table for daily observation. Therefore, the method of drawing shrimp changed, and shrimp became one of the representative artistic symbols of Qi Baishi.

齐白石画虾表现出了虾的形态，活泼、灵敏、机警，有生命力。是因为齐白石掌握了虾的特征，所以画起来得心应手。寥寥几笔，用墨色的深浅浓淡，表现出一种动感。一对浓墨眼睛，脑袋中间用一点焦墨，左右二笔淡墨，于是使虾的头部变化多端。硬壳透明，由深到浅。而虾的腰部，一笔一节，连续数笔，形成了虾腰节奏的由粗渐细，使虾的腰部呈现各种异态，有躬腰向前的，有直腰游荡的。也有弯腰爬行的。虾的尾部也是寥寥几笔，既有弹力，又有透明感。虾的一对前爪，由细而粗，数节之间直到两螯，形似钳子，有开有合。虾的触须用数条淡墨线画出。

Qi Baishi's painting of shrimp shows the shape of shrimp, lively, sensitive, alert, vitality. It is because Qi Baishi has mastered the characteristics of shrimp that he can draw them easily. A few strokes, with the shades of ink, show a sense of movement. A pair of thick ink eyes, the middle of the head with a bit of coke ink, two strokes of light ink, so that the shrimp's head changes. Hard shell transparent, from deep to shallow. And the waist of the shrimp, a section, a number of consecutive strokes, forming the rhythm of the shrimp waist from thick to thin, so that the shrimp waist presents a variety of different states, bow forward, straight waist wandering. There are also those who stoop and crawl. The tail of the shrimp is also a few strokes, both elastic, and transparent. A pair of front claws of shrimp, thin and thick, several nodes apart until the two pincers, shaped like pincers, open and closed. The tentacles of the shrimp are drawn in several faint ink lines.

齐白石以画虾而闻名，虾，齐白石不光画得多，而且是他的“发明”，他的“专利”，成了他的“象征”和“符号”。齐白石画虾成功，特出一告示：“白石画虾，十两一只。”懂艺术的人都说：“润格不高，值！值！”求画者多不讨价还价，交钱取画，各有所得。这一天，偏有一个光头猴腮的乖巧顾主，拿了35两银子去向齐白石购画，心想，这老儿必画四只，岂不赚他半只？心中得意洋洋敲开了齐家大门。齐白石看了，微微一笑，欣然收下银子，要光头顾主次日取画。第二天，光头顾主来到齐家，打开画卷一看，画面上只有三只小虾米，虾不大，却也活蹦欢跳神气活现。光头心想，我那五两银子不能白给，望着齐白石正要发作。

此幅画作乃白石老人晚期所做画品，灵动活泼，栩栩如生，神韵充盈，用淡墨掷笔，绘成躯体，浸润之色，更显虾体晶莹剔透之感。以浓墨竖点为睛，横写为脑，落墨成金，笔笔传神。细笔写须、爪、大螯，刚柔并济、凝练传神，显示了画家高妙的书法功力。画家写虾，来自生活，却超越生活，大胆概括简化，更得传神妙笔。具有极高的收藏价值。

This painting is made by Old Man Baishi in his late period. It is clever, lively, lifelike and full of verve. The body is drawn with light ink and the color of infiltration is even more clear. With thick ink vertical point for the eye, horizontal writing for the brain, the ink into gold, the pen vivid. The fine brush strokes with whiskers, claws and pincers are both firm and soft, concise and expressive, showing the painter's exquisite calligraphy skills. The painter writes shrimp, comes from the life, but surpasses the life, the bold generalization simplification, gets the expression wonderful pen. Has the extremely high collection value.