宋代定窑黑釉线条玉壶春瓶真品(辽金时期定窑黑釉缸)

宋代定窑黑釉线条玉壶春瓶真品(辽金时期定窑黑釉缸)(1)

宋代定窑黑釉线条玉壶春瓶真品(辽金时期定窑黑釉缸)(2)

宋代定窑黑釉线条玉壶春瓶真品(辽金时期定窑黑釉缸)(3)

宋代定窑黑釉线条玉壶春瓶真品(辽金时期定窑黑釉缸)(4)

宋代定窑黑釉线条玉壶春瓶真品(辽金时期定窑黑釉缸)(5)

此黑柚缸糸辽金定窑出品内有金油滴泪痕,外有竹片刻花,放大可看得见竹划痕乃大器定窑器.

金代是我国女真族于北宋末(公元1115年),在东北、华北地区建立的一个地方政权。金代陶瓷业在前代的基础上,取得不少令人注目的成就,是中国陶瓷史上不可缺少的一个重要组成环节

宋代形成中国瓷器发展史上的第一个高峰,汝、官、哥、定、钧五大名窑相继而起,产品典雅精美、格调清新。而辽代瓷器风格粗犷、豪放,表现出了鲜明的游牧民族文化特征。金代所辖北方各地瓷窑在中原文化影响下不断发展,形成独特的釉色、造型及装饰风格。北宋名窑艺术珍品,通过榷场贸易和宋辽使节在辽南京集散,宋、辽、金瓷器文化在这里交汇、融合。

辽代制瓷业,是辽代手工业中的一个重要组成部分,由于在技术上受中原影响,所以制瓷工艺与中原北方各窑也大致相似。不过由于地域和民族的差别,还具有某些地方特色和民族风格。

黑色,中国的正统色之一。东汉许慎《说文解字》“黑,火所熏之色也。”中华民族对于黑色的审美,已经达到了精神崇尚的境界,从新石器时代的黑陶,到水墨书法、陶瓷黑釉的产生,以及历朝上玄下纁最高的冕服(玄即黑色代表天,纁色代表地),汉文化都潜心于表达黑色之美。

黑釉瓷器由青釉瓷器演变而来。最早的黑釉瓷出现在东汉中晚期的东南窑场,此时黑釉并不稳定,与青瓷同窑烧制,含铁量约为4%~5%,所以是否定义为黑釉器还是含铁量偏高的青瓷器,仍可商榷。两晋开始出现真正的黑瓷,浙江西部的德清窑在东晋时期烧制的黑釉器釉面滋润光泽,色黑如漆,几可与漆器媲美。此时釉料中含铁量为8%左右,大大超过青釉器含铁量,可见已经正式形成黑釉专用配方。弥足珍贵,值得收藏.

The Jin Dynasty was a local regime established by the Nuzhen nationality in northeast and North China at the end of the Northern Song Dynasty (1115 AD). On the basis of the previous dynasties, the jin dynasty ceramics industry has made many remarkable achievements, which is an indispensable part in the history of Chinese ceramics

The song Dynasty was the first peak in the history of Chinese porcelain development. Five famous kilns, ru, Guan, Ge, Ding and Jun, emerged one after another, with elegant and elegant products and fresh style. The style of liao porcelain is rough and unrestrained, showing the distinctive characteristics of nomadic culture. Under the influence of central Plains culture, porcelain kilns in northern China under the jurisdiction of jin Dynasty developed continuously, forming unique glaze color, shape and decoration style. The art treasures of the famous kilns of the Northern Song Dynasty were distributed in Nanjing through the forum trade and song and Liao envoys, where the culture of song, Liao and gold porcelain met and fused.

Porcelain industry in Liao Dynasty is an important part of the handicraft industry in Liao Dynasty. Due to the influence of the Central Plains in technology, porcelain making technology is roughly similar to the kilns in the north of the Central Plains. However, due to regional and ethnic differences, there are some local characteristics and ethnic styles.

Black, one of the orthodox colors in China. Eastern Han Dynasty Xu Shen "say text solution word" "black, fire smoked color also." The Chinese nation's aesthetic of black has reached the realm of spiritual worship, from the neolithic era of black pottery, to ink calligraphy, ceramic black glaze, and the highest of the past dynasties 𫄠(black represents the sky, ð«„, color represents the ground), The Han culture is devoted to the table

black-glazed porcelain evolved from blue-glazed porcelain. The earliest black-glazed porcelain appeared in the southeast kiln in the middle and late Eastern Han Dynasty. At that time, the black glaze was not stable. It was fired in the same kiln with celadon, and the iron content was about 4%~5%. Real black porcelain began to appear in the Jin Dynasty. The black glaze ware fired in deqing kiln in western Zhejiang province in the Eastern Jin Dynasty was moist and shiny, and its color was as black as lacquer, almost comparable to lacquer ware. At this time, the iron content of the glaze is about 8%, much more than the iron content of the green glaze, it can be seen that the black glaze special formula has been formally formed. It's worth keeping.

,

免责声明:本文仅代表文章作者的个人观点,与本站无关。其原创性、真实性以及文中陈述文字和内容未经本站证实,对本文以及其中全部或者部分内容文字的真实性、完整性和原创性本站不作任何保证或承诺,请读者仅作参考,并自行核实相关内容。文章投诉邮箱:anhduc.ph@yahoo.com

    分享
    投诉
    首页